NY Theater Review by JK Clarke
It generally holds true that the best part of a party takes place in the kitchen. For some reason, people get side-tracked by good, genuine conversation when they stop in to refresh their drink, and often spend the rest of the night there, wrapped up in unpretentious talk. That certainly seems to be the case in Smoke, though it’s likely the rest of the party was pretty darned interesting as well. Smoke (playing at The Flea through September 28) is a very compelling two-hander in which Julie (Madeleine Bundy) comes across John (Stephen Stout) in the kitchen, where he’s sneaking a smoke, an ironically verboten activity at a party which would otherwise appear to be without limitations. These two young, attractive hipsters are at a private BDSM party in a Harlem tenement. For the uninitiated, BDSM refers to “Bondage, Domination and Sado-Masochism,” and the party caters strictly to dedicated practitioners of the kink; we hear tell of activities in other rooms that range from the mild (spanking) to the extreme (blood and piercing play). This is neither a party for amateurs nor the faint of heart. Julie, however, is something of a novice, but being an attractive, sexy young submissive woman, she is a welcomed newcomer. What’s more, it turns out her father is a famous avant-garde photographer and artist . . . as well as John’s boss.
The beauty behind Smoke is that though we don’t get a full picture of the emotional turmoil these two have endured over the course of their lives, we do get a visceral feel for it through their conversation and actions. These are damaged people who escape their pain with fantasy and role play.
Kim Davies’ sharp script gives us a realistic peek into both a moment (the party) and the inner life of John and Julie, without being cloying or pedantic (often a byproduct when delving into stories of secret worlds). Director Tom Costello does a terrific job of providing just enough tension and showing us just enough of the couple’s interactions without being gratuitous or overly explicit. To witness such scenes can be terribly uncomfortable, but here it is not, thanks also to terrific acting. Stephen Stout is a guy we all know: someone buried in a hipster persona who was never actually hip or cool. He is full of hesitation and fear, but so deeply wants to be in control that when we see flashes of it we both fear and pity him. And Madeleine Bundy is fantastic: part pouty sex kitten, part angry, empowered woman with tremendous sexual agency, she is anything but one or two dimensional. “I’m kind of an asshole,” she tells John at one point. But the thing is she’s both right and completely wrong. There is both intelligence and weakness in her, though she prefers the mantle of brash and arrogant. Perhaps she is too confident for her own good—so common among entitled 20-year-olds—but there is also the suggestion that she knows she’s out of her depth, both at the party and in life. Poor acting would have made Smoke a difficult play to watch, despite its strong writing, but Bundy and Stout pull it off so convincingly it’s hard to imagine they are anything but those characters in real life.
There are worlds that many of us will never know about, whether it’s due to a lack of interest or a lack of accessibility. What Smoke manages to do is invite us into a corner of one such world and demonstrate why it’s interesting, why it exists, and why those people, despite their unusual interests, are just like us. We never know who we’re going to run into in the kitchen at a party, but it’s always certain to be the best part of all.
Smoke. Through September 28 at The Flea, 41 White Street, TriBeCa (between Broadway and Church Street). www.theflea.org
Photos: Hunter Canning